The Afghan government appears to be in a state of precipitous collapse. At least a dozen provincial capitals have fallen to the Taliban in a week. The Taliban now control around 66% of the country.
The debate about whether Afghanistan was worth thousands of U.S. lives and a trillion U.S. taxpayer dollars should have occurred before those lives were lost and the money was spent. The decision to pull out our remaining 2,500 troops was made after all of that was done. That minimal number of troops preserved everything we fought for in the last two decades. We had significantly reduced the risk to our forces and the expense to the U.S. taxpayer.
Despite being largely low-key and limited in nature, ties between pro-Al Qaeda jihadists operating in Indonesia and Syria respectively continue to exist. Recent activity involving Jemaah Islamiyah (JI) and other militant Indonesian groups illustrates the potential security risks from this nexus, which should not be overlooked.
The United States and Pakistan have had a complex and often disappointing “love-hate” relationship since 1947 — one severely tested during the 20-year U.S.-led intervention in Afghanistan. We believe the time has come for serious policy consideration of whether and how both nations can achieve a more strategically beneficial and sustainable post-intervention relationship between the American and Pakistani governments and their populations
Masameer County, the Netflix animated television series taking Saudi Arabia by storm, reveals how the country’s creative class, over the last two decades, has posed awareness-raising questions while reevaluating the assumptions and terms used to discuss contentious social issues. This is not the Saudi Arabia of clerics, oil, and the royal family, but the one experienced by everyday people.
As a Lebanese actor ideologically tied to Iran, Hezbollah has multiple allegiances and objectives that do not always align symmetrically. Hezbollah’s regional activities are a reflection of the group’s increasingly close alignment with Iran, rather than the interests of the Lebanese state or citizenry. Today, Hezbollah’s regional adventurism is most pronounced in its expeditionary forces deployed in Syria and elsewhere in the region, but no less important are the group’s advanced training regimen for other Shi’a militias aligned with Iran, its expansive illicit financing activities across the region, and its procurement, intelligence, cyber, and disinformation activities. Together, these underscore the scale and scope of the group’s all-in approach to transforming from one of several Lebanese militias into a regional player acting at Iran’s behest.
The withdrawal from Afghanistan marks the end of a historic chapter. It involves more than just the conclusion of a drawn-out international military engagement in Afghanistan. Rather, it signals the end of a decades-long phase in which Western militaries placed the broader Middle East and the fight against international terrorism at the center of their strategic attention. With competition between the great powers on the rise, Western militaries have realized their current vulnerabilities vis-à-vis near-peer competitors and the need to shift gears.
The digital space has not only enabled claims to online avatars or alter-egos, it has also ushered in new forms of digital ownership. The explosion of the online marketplace is changing the ways in which art is created, perceived, and owned. If post-internet art propelled artworks into immateriality, Cryptoart, which uses blockchain technology, is creating a new generation of art collectors. Sales of Cryptoart have leaped from over $416,000 in June 2020 to $616 million in the past year, based on data from cryptoart.io.
In Zarzis, on Tunisia’s southern coast, Algerian artist Rachid Koraichi has created a moving memorial to the thousands of migrants who have died crossing the Mediterranean. A hybrid of graveyard, garden, and art installation, Jardin d’Afrique has become the final resting place for over 300 souls whose bodies washed up on the shore of this tourist town.
Singer Kamilya Jubran, founding member of the iconic Palestinian band Sabreen, once famously sang, “We’ve tried resistance, we’ve tried confrontation, we’ve tried intifada, we’ve tried peace. What else is left to us?” The answer of course, that hung in the air of her breathtaking vocals, was “to sing.”
The rapidly growing state-supported arts infrastructure in Saudi Arabia tends to overshadow the lesser-known history of independent artist-led initiatives. The pioneering modernist Mohammed Alsaleem, for example, is known for establishing Dar Al Funoon Al Sa’udiyyah (The Saudi Art House) in Riyadh in 1979, the first space where artists could gather, work, mentor each other, and stage exhibitions at a time when there were no art schools or galleries. The Kingdom has gone through various stages in its cultural development from the 1960’s oil boom, a time of artistic productivity and government scholarships to study art abroad, to the tumultuous late 1970s of Islamic militancy and religious conservatism until the 2000s. “The 1960s was a time when art flourished in the Kingdom. In Riyadh, exhibitions by modernist painters were held in football clubs in order to engage the public,” says Raneem Farsi, an expert in Saudi Arabian contemporary art, of a time that has influenced her curatorial narrative. Along with Susan Davidson, former senior curator at the Guggenheim Museum, she is co-curator of the exhibition Light Upon Light: Light Art since the 1960s, which runs until June 12.
In 2020, the 14th edition of Art Dubai went completely online due to the coronavirus outbreak, with programming focused on performance art and healing curated by Marina Fokidis, a live broadcast of the Global Art Forum, and a digital catalogue. “We didn’t have a model to follow,” Pablo del Val, Art Dubai’s Artistic Director explained. “The online viewing rooms came later and the art industry has shifted to make these platforms meaningful. The future was unknown so we worked blindly.”
President Joe Biden’s commitment to “stepping up” diplomacy to end the war in Yemen generated hope among peace practitioners and policy shapers. In February, the president appointed Tim Lenderking, a seasoned diplomat with solid experience in the region, as the U.S. special envoy to Yemen.
الرغم من مرور أكثر من عامين على تحرير مخيم الباغوز في محافظة ديرالزور، والذي كان آخر معاقل تنظيم “داعش” في سورية، ومحاولات التحالف الدولي وحليفته الإدارة الذاتية ارساء الاستقرار في مناطق شرق الفرات ومنع عودة التنظيم إلى واجهة الأحداث، إلا أن التنظيم لازال يمارس نشاطه وعملياته الأمنية في المنطقة، والتي تشهد تزايداً ملحوظاً مع مرور الزمن خاصة في العامين الأخيرين.
At the end of Joe Biden’s first 100 days as president of the United States, where do things stand when it comes to U.S. policy toward the Middle East and North Africa? We asked experts and scholars from across MEI to weigh in with their thoughts on the changes we’ve seen so far, the new challenges that have emerged, and what we know about the administration’s key priorities for the region.