Research & Commentary Results

Although it has fallen off the international news cycle, Baghdad is booming, high on rising oil prices and full, once again, of neo-Abbasid, petroleum-fueled aspirations. Thanks to new anti-money laundering legislation, funds are being funneled not only into hotels and real estate but also into new cultural enterprises. So what does culture in Iraq look like in 2023?

The Jordanian government has sought to further develop the Bethany Beyond the Jordan baptism site in an effort to boost the tourism sector and the broader economy. But striking the right balance between economic, religious, political, and environmental considerations won’t be easy.

The Freedom Theatre, headquartered in the Jenin Refugee Camp that was invaded once again by the Israel Defense Forces last week, is nothing if not a crucible for the Palestinian experience. Up against grinding poverty, occupation, religious extremism, and, more recently, aerial bombardment, the theater miraculously survives.

Following two years of preparation, the Syrian Madaniya (“Civil”) initiative held its inaugural conference with over 180 participating organizations. To claim a political role, Madaniya needs a program and a partner. The natural partner for this endeavor is the Syrian Negotiation Commission.

Iraq has long had a troubled history with its ethno-religious minorities, one full of oppression and violence. This was true under the Ba’athist regime and continued after the 2003 U.S.-led invasion, reaching a nadir with the rise of the Islamic State terrorist group. Although Iraq is now enjoying its most stable period in the past two decades, it is also a case study of the pernicious effects of structural violence, especially toward the more marginalized and vulnerable segments of society.

Turkey is a test case of the limits of international human rights law in an authoritarian context. The country is party to all major U.N. and Council of Europe international human rights treaties, including those prohibiting torture and ill treatment, and is subject to the jurisdiction of the European Court of Human Rights. Its constitution and laws ban torture and contain procedural safeguards against it. Yet torture and the impunity of its perpetrators remain state practice, at times reaching systemic levels.

Wadi AlFann (‘Valley of the Arts’) is a new global cultural destination in Saudi Arabia, where monumental contemporary artworks are being commissioned for AlUla’s majestic desert landscape.  

Curator Iwona Blazwick and participating Saudi artist Manal Al Dowayan speak with MEI’s Senior Vice President Kate Seelye about Wadi Al Fann’s permanent art commissions and the impact of the Kingdom’s investment in the arts as part of Saudi Vision 2030 on local communities and the international art scene.

More episodes

On this week’s episode Alistair Taylor, MEI’s editor-in-chief, is joined by Mick Mulroy and Eric Oehlerich, Senior Fellows with MEI’s Defense & Security Program and the Co-founders of the Lobo Institute and End Child Soldiering, to discuss efforts to stop the recruitment and use of children in combat and rehabilitate former child soldiers. The use of child soliders is a widespread global problem that has a disproportionate impact on the broader Middle East, especially in Yemen, Syria, Sudan, and Somalia.

Composing this bricolage of most frequented places is to identify with the environment. Each of the works in this exhibition strives to enliven such connections by looking anew and afresh. Whether considering the lives lived in the temporal or spatial shadows cast by unrest, migration, and industry, or taking a long view of history or an attentive approach to an immediate setting, new relations are found.

Lyne Sneige, Director of the Arts & Culture Program at the Middle East Institute, speaks with artists Moza Al Matrooshi and Christian Sleiman about their works that are featured in MEI’s current exhibition, Perceptible Rhythms/Alternative Temporalities. The conversation provides greater detail on the relationship between each artist’s works and the themes of food and sustainability.

The recent death of a 14-year-old girl following a botched “back alley” abortion at the house of her abuser is the latest reminder of the need to better protect women’s reproductive rights in Morocco and should push Moroccan authorities to address the multi-faceted social, legal, and economic drivers behind unwanted pregnancies.

Art Dubai is so much more than an art fair. In this, its most ambitious iteration and 16th year, it promises to be both a cultural emporium and a litmus test for the global economy.

MEI’s Arts and Culture Center joins DesignEast at Alserkal Avenue in Dubai

DesignEast is a new platform launching in Dubai during Alserkal Art Week from 26 February to 5 March, 2023 focused on providing opportunities for emerging designers from the Middle East, South East Asia and China. MEI’s Arts and Culture Center director Lyne Sneige speaks to founder and creative director Rue Kotharie about their opening show ‘(Un)common Threads’ and two of the participating artists Ghizlane Sahli (Morocco) and Nour Hage (UAE/UK).

In partnership with @alserkalavenue

Key findings from the latest Arab Barometer survey, its seventh wave, reveal that, despite some political gains in several Arab states, clear majorities in the 12 countries in which the survey was conducted still hold traditional views on gender norms.

Southern Turkey and northern Syria were struck by a crippling 7.8 magnitude earthquake at 4:17 AM, on Feb. 6. Twelve hours later, at least 2,400 people are known to have perished, with death tolls rapidly rising. This natural disaster could not have come at a worse time or struck a more vulnerable region — with notoriously poor construction in southern Turkey and the effects of more than a decade of brutal conflict still afflicting northern Syria.