Rebecca Anne Proctor

This is the first of three volumes examining the internationalization of higher education and the Middle East. The 12 essays included in this volume explore some of the changes that are taking place and the challenges that lie ahead as Middle Eastern countries seek to build sustainable higher education systems and strengthen their economies. Within the dynamic global higher education landscape, is the Middle East a stagnant backwater or a center of creative initiative? What are, and should be the roles of foreign partners and providers?

This Commentary first appeared as an op-ed in McClatchy News, July 6, 2010.

The misuse and abuse of language is yet another obstacle to obtaining peace in the Middle East. In recent weeks the media, government officials and commentators have so garbled the use of the words “blockade” and “embargo” to describe events in Gaza that understanding what is occurring, the legal implications, and developing a reasonable policy are almost impossible.

Last year, I completed an hour-long documentary, Veiled Voices, profiling the role that women can play as religious leaders in the Middle East.  This essay briefly discusses my discoveries over the four years working on the project and the decisions I made regarding how to responsibly and visually represent these women on film.

In February 2010, Stockholm, Sweden hosted the Persian Hip Hop Festival: Voices of Change. Persian rappers came from around the world to call for changes in Iran through their rap music. Prior to her performance, one of Iran’s female rappers, Ghogha (Rebel), said to the audience:

I come from a place where music is a crime. New
ideas are crimes. They execute young people for
having new ideas. We have come together here to
remember the children of Iran.[1]

Originally posted July 2010

This edition of MEI Viewpoints features essays that shed light on the relationship between artistic production and changing societal conditions and norms. Clayton Keir discusses “rap” music in Iran – its integration of Western and Persian cultural influences, politics, and popularity. Brigid Maher reflects on the making of Veiled Voices, her award-winning documentary film that profiles three female Muslim religious leaders from Egypt, Lebanon, and Syria.

Creative Arab Women is the sixth edition of the MEI Viewpoints series on the State of the Arts in the Middle East. The 14 essays in this collection offer a glimpse into the rich and varied cultural output of Arab women in the region and the diaspora. Partly reminiscences and partly calls to action, they are essays of survival and empowerment that add a deeply personal dimension to the subject of the role of Arab women as cultural producers. MEI is grateful to Dr.

The Middle East Institute is proud to host Thomas W. Donovan, an expert in Iraqi business law, specializing in international investment. Drawing upon his background as a corporate attorney and managing partner of the Iraq Law Alliance, PLLC, Mr. Donovan will discuss the particular nuances of doing business in post-war Iraq and how the 2009 Status of Forces Agreement may change the way in which international investors interact with their Iraqi partners. Mr.

The Middle East Institute is proud to host distinguished academic and author Dr. Akbar Ahmed for a discussion of his latest book, Journey into America: the Challenge of Islam, a comprehensive study of the American-Muslim community. Dr. Ahmed will discuss the results of the research conducted by his team as they traveled to over 75 cities and 100 mosques across the United States to discover what Muslims are thinking, what they are reading, and how they are living every day in America. Among the questions his team asked include, "Can we expect an increase in homegrown terrorism?