Sara Sadek is an affiliated researcher and coordinator at the Center for Migration and Refugee Studies (CMRS) at the American University in Cairo. She obtained an MA in Refugee Studies from the University of East London. Since 2005, she has worked on various research projects on Iraqi and Sudanese communities in Egypt, contributing to a report on Iraqis in Egypt and recently producing a paper on challenges of integration for Iraqis in Arab states for the Henry L. Stimson Center’s forthcoming volume Transnational Challenges.
Originally posted August 2010
Originally posted August 2010
Originally posted August 2010
The Middle East Institute is proud to host Rochelle Davis, professor of Anthropology at the Center for Contemporary Arab Studies in the School of Foreign Service at Georgetown University, to discuss US military conceptions of culture and the war in Iraq.
This Commentary first appeared as an op-ed in The National, July 25, 2010.
After the March 2003 invasion of Iraq by United States and coalition forces, a short but sharp war, and the declaration of “Mission Accomplished” aboard an American aircraft carrier, Iran felt isolated and encircled on all sides by US might. Not so today.
Tehran has closely observed US travails in Iraq over the years, and watched with satisfaction as the US began withdrawing its forces in anticipation of a full withdrawal by the end of 2011.
This is the first of three volumes examining the internationalization of higher education and the Middle East. The 12 essays included in this volume explore some of the changes that are taking place and the challenges that lie ahead as Middle Eastern countries seek to build sustainable higher education systems and strengthen their economies. Within the dynamic global higher education landscape, is the Middle East a stagnant backwater or a center of creative initiative? What are, and should be the roles of foreign partners and providers?
This Commentary first appeared as an op-ed in McClatchy News, July 6, 2010.
The misuse and abuse of language is yet another obstacle to obtaining peace in the Middle East. In recent weeks the media, government officials and commentators have so garbled the use of the words “blockade” and “embargo” to describe events in Gaza that understanding what is occurring, the legal implications, and developing a reasonable policy are almost impossible.
Last year, I completed an hour-long documentary, Veiled Voices, profiling the role that women can play as religious leaders in the Middle East. This essay briefly discusses my discoveries over the four years working on the project and the decisions I made regarding how to responsibly and visually represent these women on film.
In February 2010, Stockholm, Sweden hosted the Persian Hip Hop Festival: Voices of Change. Persian rappers came from around the world to call for changes in Iran through their rap music. Prior to her performance, one of Iran’s female rappers, Ghogha (Rebel), said to the audience:
I come from a place where music is a crime. New
ideas are crimes. They execute young people for
having new ideas. We have come together here to
remember the children of Iran.[1]
This edition of MEI Viewpoints features essays that shed light on the relationship between artistic production and changing societal conditions and norms. Clayton Keir discusses “rap” music in Iran – its integration of Western and Persian cultural influences, politics, and popularity. Brigid Maher reflects on the making of Veiled Voices, her award-winning documentary film that profiles three female Muslim religious leaders from Egypt, Lebanon, and Syria.
