Sara Sadek is an affiliated researcher and coordinator at the Center for Migration and Refugee Studies (CMRS) at the American University in Cairo. She obtained an MA in Refugee Studies from the University of East London. Since 2005, she has worked on various research projects on Iraqi and Sudanese communities in Egypt, contributing to a report on Iraqis in Egypt and recently producing a paper on challenges of integration for Iraqis in Arab states for the Henry L. Stimson Center’s forthcoming volume Transnational Challenges.
Originally posted December 2009
This is the sixth and final volume in the 1979-2009 special series of MEI Viewpoints.
It is in this capacity of man to receive another man’s expressions of feeling and experience those feelings himself, that the activity of art is based.
— Leo Tolstoy
The spoken word is the bearer of culture. Common expressions in daily use by ordinary people are not only the means by which they communicate with each other, but are the essential elements of a society bound together in time and place. The continuous injection of new vocabulary and forms of expression into the everyday spoken language further enriches and at the same time alters it. With the passage of time, a new “generation” of idioms and colloquialisms displaces the old.
Sabiha Sumar of Pakistan is not just a pretty face. The smiling, dark eyes, framed by flowing dark hair, and an apparently sunny personality, hide a passionate woman with a lot to say. She is an award-winning documentary maker and film director focusing on ordinary Pakistani women whose lives have been disturbingly disrupted by the political, religious, and social changes that have taken place over the last 60 years or so.
The trials, tribulations, and taboos faced by ordinary youths, the deep cultural significance of the ordinary spoken word, and the actions of ordinary women surmounting the barriers of silence and passivity — these are the subjects covered in this third edition of MEI Viewpoints on the State of the Arts in the Middle East.
Secretary Clinton’s visit to Pakistan has been a serious attempt to use public diplomacy to help the troubled US Pakistan relations. Her reaching out to people with a mix of soft power and hard talk was refreshing. It is time to ‘clear the air’ she said. But a lot more work needs to be done in the realm of policy to bring about a meaningful change in the relationship. The problems between Pakistan and the United States, referred to as the “trust deficit” for want of a better word, are many and mask much complexity at the heart of policy and systemic issues on both sides.
This Commentary first appeared as an op-ed on BitterLemons-International.org, October 22, 2009
Syria could not be more ecstatic at the row that has recently developed between Turkey and Israel. Turkey, once among Israel's staunchest allies, now sees eye-to-eye with Syria regarding the difficulties in dealing with Israel and Israel's abusive treatment of Palestinians.
This Commentary first appeared as an op-ed in the McClatchy-Tribune on October 14, 2009.
This Commentary was originally published as an op-ed in The Washington Times on October 11, 2009.
Within the first months of ‘Abdullah’s term as King, the Saudi government pursued a number of policies to improve the Kingdom’s economic profile. Saudi Arabia became a member of the World Trade Organization (WTO) and the limits were raised on foreign stakes in sectors such as banking, telecommunications services, wholesale, retail, and franchising. These reforms were intended to answer the economic priorities of diversifying from dependence on oil revenues, finding jobs for young Saudis, and opening up foreign investment.
Even Saudi film production has revived recently, following the move of Saudi Television empires such as Rotana and ART to cinematic production. This comes after more than two decades of suppression by conservative Islamist groups who prohibited film screenings to Saudi citizens. In 2005, the Kingdom saw the opening of the first movie theatre in Riyadh, followed by the release of a couple of Saudi films with Saudi actors. The first Saudi production was Zelal Assamt (2006), followed by the film Keif al Hal.
Originally posted: October 2009
Originally posted October 2009
Originally posted October 2009
