Basma El Husseiny (Action for Hope) and Samar El Yassir (Anera) join guest host Lyne Sneige to discuss the impact of the COVID-19 pandemic on refugee communities and the NGOs that work with them.
The spiritual cousin to the Shabandar Café — Baghdad’s literary heart that survived being bombed by extremists in 2007 — Mosul’s Book Forum is both an intellectual refuge and a laboratory for discussion and cultural expression.
Adila Laïdi-Hanieh (The Palestinian Museum), Saleh Barakat (Agial Gallery and Saleh Barakat Gallery), and Khaled Barakeh (Co-Culture) join guest host Lyne Sneige for a discussion of how the COVID-19 pandemic has impacted the arts and culture sector across the Middle East, and how artists, galleries and museums are working to adapt during a global crisis.
The history of Erbil’s citadel reads like a cinematic epic worthy of Cecil B. DeMille
Possibly one of the world’s oldest continuously inhabited human settlements, the citadel is built on a series of archaeological layers crowned by Ottoman-era houses. It may have been the site of a temple to Ishtar, was an important center of Nestorian Christianity, and survived both the 13th-century Mongol invasion and an 18th-century siege by Nader Shah. It was home to the Medians and the Assyrians (who called it Arbela), Muslims and Jews, and has housed Sufi shrines and displaced squatters. Its mound-like form has been shaped by successive generations of inhabitants and invaders who simply built on top of the rubble of their predecessors.
This week’s episode features an interview and Q&A with Lukman Ahmad, a Syrian-Kurdish musician and artist. Last week, Lukman performed Kurdish instrumental music on the saz during an open house at the MEI Art Gallery, and we are pleased to be able to share a recording of a couple of the songs that he performed.
As the world increasingly resembles a dystopian film from the 1970s and television news blurs ominously with scenes from Soylent Green, a recent collection of Palestinian science fiction proves both prescient and eerily contemporary.
Accomplished craftspeople are a dying breed in Cairo, but Jameel House of Traditional Arts and Atelier Cairo are working to change that by training a new generation of artisans in traditional media like ceramics, wood, brass, glass, and gypsum work (stucco), helping to replenish the stock of skilled Egyptian craftspeople and keeping rare and beautiful art forms alive.
Lebanese artist Katya Traboulsi joins guest host Lyne Sneige to discuss her art exhibition, Perpetual Identities, which consists of 22 hand-crafted replicas of bombshells used in the Lebanese civil war, each adorned with designs and iconography associated with the artistic traditions of 22 featured countries.
Saudi Arabia’s archeological treasures have long been hidden in plain sight, known mainly to the people living in their proximity and a handful of scholars. But five recent UNESCO World Heritage Site designations have highlighted the universal value of the country’s material legacy.
Babylon has seen it all. From its peak as the Neo-Babylonian capital under King Nebuchadnezzar through its heavy-handed 1987 reconstruction by Saddam Hussein to its post-invasion demise when American and Polish troops ran roughshod over its ruins and ISIS threatened its very existence, the ancient city has witnessed empires come and go.
Renowned curator Rose Issa joins MEI Arts & Culture director Lyne Sneige to discuss Arabicity | Ourouba, the inaugural exhibit of contemporary Middle Eastern art that premiered September 14 at the new MEI Art Gallery, and why an understanding of the region’s arts and culture are important to the policy discourse in Washington.
The article was first published by the Atlantic Council.
Revolutionary Guards came to Mehdi Rajabian’s door on October 5, 2013. His crime? Running a music production company — Barg Music — that the Iranian government deemed offensive to Islam and the regime. Barg Music worked with restricted artists in Iran, particularly women, who have been legally forbidden from performing solo since the Iranian Revolution.
Part survey show, part historical document, the latest exhibition at the Palestinian Museum just outside of Ramallah, “Intimate Terrains: Representations of a Disappearing Landscape,” covers work from the 1930s until today. The show explores how representations of landscape evolved over time via a selection of iconic, rarely seen works, and special commissions by artists from Palestine and its diaspora, encompassing painting, photography, installation, video and film, natural media, sculpture, and even an “intervention” in the museum’s gardens.
In 2014, a professor and former U.S. diplomat approached The Middle East Institute (MEI) with a remarkable offer: he would donate to MEI’s Oman Library nearly 20,000 meticulously annotated Kodachrome slides of photographs he had taken throughout the Middle East over half a century.