Along with Egypt and Turkey, Iran is one of the most populous countries in the Middle East. Aware of its strategic significance and millennium-long civilization, Iranian leaders have always aspired to assume a leadership role on regional and international issues and pursued an assertive policy to reach their country’s potential. This ambitious strategy requires, among other things, strong military forces.
The Artesh: Iran’s Marginalized and Under-Armed Conventional Military
Originally posted November, 2011
Ravaged, intimidated, and gutted to the core in a series of purges after the 1979 Revolution, the remnant of the Shah’s military, renamed the Army of the Islamic Republic of Iran, known generally in Persian as the Artesh, put itself together as best as it could to face invading Iraqi forces at the beginning of the Iran-Iraq war.
Iran’s conventional military forces — ground, air, and naval — once stood tall as the best armed military forces in the Middle East aside from those of Israel. The United States lavished the most sophisticated military hardware on the Shah, who was willing and able to tap his financial resources from Iran’s oil wealth to buy modern conventional arms. The Shah had the ambition, the financial means, and the political-military backing of the United States to turn Iran into the Persian Gulf’s most formidable military power.
A United States Marine's View of the Artesh and IRGC
United States military forces use standard procedures for planning operations against other militaries. These procedures differentiate between different branches, or units, of an opposing force depending on their capabilities and limitations. This article presents one such analysis of the Iranian Military, where there are vast differences between the Islamic Revolutionary Guard Corps (IRGC)and the Artesh, or the regular Iranian armed forces. The article then draws parallels to the planning for Operation Iraqi Freedom that led to the defeat of the Iraqi Republican Guard and regular Iraqi
As the United States and its allies have tightened sanctions on Iran, they have sought in particular to isolate the Islamic Revolutionary Guard Corps, the regime’s most aggressive institution. The IRGC, known in Persian as the Pasdaran, fields its own army, navy, and air force, and dominate a large and increasing share of Iran’s national economy.
Iran’s regular military, the Artesh, receives virtually no attention from international media or scholars on Iran. By contrast, its political rival, the Islamic Revolutionary Guard Corps (IRGC, also known in Persian as the Pasdaran), is scrutinized constantly by analysts for its visible, high-profile role in Iran’s political system, its economic resources and corporate activities, and its role as a spearhead of Iran’s regional policies.
Introduction to The Artesh: Iran's Marginalized Regular Military
As the US-Iran showdown continues, among Western analysts there is an infinite desire for more data and analysis relating to the workings of the Islamic Republic. From a US standpoint, a better understanding of the various organs and players in the Iranian regime setup is imperative as Washington weighs its options and sets out to formulate its policies.
MEI scholar Randa Slim led a discussion about Hezbollah and its reaction to shifting regional dynamics in the wake of the Arab Spring. Although Lebanon has not experienced the same levels of unrest as its neighbors, Hezbollah is not immune from the regional instability resulting from the revolutions roiling the Middle East. Hezbollah is currently the principal orchestrator of a new governing coalition that is rife with internal divisions.
The Middle East Institute is proud to host a discussion with Trita Parsi and Michael Singh on the prospects for a diplomatic solution to the Iran nuclear crisis in the wake of recently imposed UN and US sanctions.
Their discussion will draw upon a forthcoming Middle East Journal article entitled "The Case Against the Case Against Iran" written pseudonymously by a European diplomat, who argues for greater engagement by regional actors like Turkey, Saudi Arabia, Russia and China to mediate and mitigate Iran's nuclear ambitions.
Cyberactivism and the Arab Revolt: Battles Waged Online and Lessons Learned
The Middle East Institute is proud to host digital media experts Adel Iskandar and Courtney Radsch for a discussion on the nature of the cyberactivism that is fueling the uprisings spreading throughout the Middle East. Iskandar will examine the battle in Egypt between the government and the protesters to control online discourse, analyzing the obstacles and the successes.
Higher Education and the Middle East: Serving the Knowledge-based Economy
This is the first of three volumes examining the internationalization of higher education and the Middle East. The 12 essays included in this volume explore some of the changes that are taking place and the challenges that lie ahead as Middle Eastern countries seek to build sustainable higher education systems and strengthen their economies. Within the dynamic global higher education landscape, is the Middle East a stagnant backwater or a center of creative initiative? What are, and should be the roles of foreign partners and providers?
Introduction to The State of the Arts in the Middle East: Volume V
This edition of MEI Viewpoints features essays that shed light on the relationship between artistic production and changing societal conditions and norms. Clayton Keir discusses “rap” music in Iran – its integration of Western and Persian cultural influences, politics, and popularity. Brigid Maher reflects on the making of Veiled Voices, her award-winning documentary film that profiles three female Muslim religious leaders from Egypt, Lebanon, and Syria.
Introduction to The State of the Arts in the Middle East: Volume VI: Creative Arab Women
Creative Arab Women is the sixth edition of the MEI Viewpoints series on the State of the Arts in the Middle East. The 14 essays in this collection offer a glimpse into the rich and varied cultural output of Arab women in the region and the diaspora. Partly reminiscences and partly calls to action, they are essays of survival and empowerment that add a deeply personal dimension to the subject of the role of Arab women as cultural producers. MEI is grateful to Dr.
