How Al Qaeda Exploited The Syrian Civil War
The full article can be found at The Cipher Brief.
The Cipher Brief: How influential is al Qaeda in Syria? What are the group’s objectives there?
Richard Clarke on Terrorism in the Trump Administration
Saudi Female Conservationist Fights to Preserve Islamic Heritage
The Middle East’s descent into chaos has been accompanied by a growing threat to the region’s historic sites. The breakdown of states and growth in extremism have exposed these ancient sites to looting and destruction. The drivers, however, are varied. Extremist groups like ISIS profit from the smuggling of antiquities, but there are also religious motivations. Extremist movements such as ISIS and al-Qaeda, which adhere to a strictly puritanical view of Islam, perceive heritage sites, including Islamic, as a sinful distraction from faith.
The Revival of Lebanese Cinema
The long, turbulent history of Lebanese cinema is one fraught with financial precariousness, thwarted potentials, and colonialist impediments. Fighting for decades to break away from the hegemony of Egyptian cinema, Lebanon finally came of age in the 1960s and 1970s, reaching a peak with a series of hugely popular mainstream flicks that included the popular Rahbani/Fairuz folk musicals. The rise of what was once deemed as the most exciting Arab cinema at the time proved to be short lived, coming to a premature halt with the outbreak of the Lebanese Civil War.
New Lebanese Civil War Film a Standout
Countless films have been made about the Lebanese Civil War, the dominant subject of Lebanese cinema for the past 40 years. But in Vatche Boulghourjian’s striking debut film Tramontane, he wanted to tell a different story and tackle the lingering legacy of the civil war.
New Museum Displays Oman’s Rich History
Director Jamal al-Moosawai wanted the new National Museum of Oman to be a space that grows and expands with its knowledge base, and is in tune with ongoing archaeological discoveries in the Arab country.
The result of a ten year collaboration between the Ministry of Heritage and Culture, the Royal Estate Affairs of Oman, Jasper Jacob Associates (J.J.A.), and Arts Architecture International Ltd (A.A.I.), the museum’s blend of the traditional and the contemporary, as well as its high-tech research facilities, make it unique in the region.
Tunisia’s Film Festival Reflects on Revolution
To be a cinephile in Tunis is a patriotic act. Tunisians came out in droves to last year’s Carthage Film Festival, which occurred a day after a terror attack targeting security forces.
“Everyone came out in defiance of the situation, to show their solidarity and love of cinema,” Tunisian journalist and festival staffer Yosr Hazgui said.
Beirut’s Horror, Sci-Fi Film Fest a Hit Success
A different kind of horror descended upon Beirut with the opening of Maskoon Fantastic Fest, the Middle East’s first film festival for horror, fantasy, action, and science-fiction.
The brainchild of Abbout members, Lebanon’s most prominent production house, Maskoon was an attempt to expand the scope of genres undertaken by the local industry. The festival was held September 14-18.
A Plan For Winding Down the Syrian Civil War: Surge, Freeze, and Enforce
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Five years of horrendous conflict in Syria has given birth to a menacing array of threatening and destabilizing repercussions. From the rapid proliferation of terrorist groups, to mass civilian displacement and an international refugee crisis, not to mention the disintegration of a major nation state at the heart of the Middle East, the consequences of the conflict’s apparent intractability are clear for all to see.
Palestinian Director Leila Sansour Talks Bethlehem
Leila Sansour is an acclaimed filmmaker, best known for “Jeremy Hardy versus the Israeli Army.” She returned to her hometown Bethlehem to document the detrimental effect of the wall on the city and its people. She discusses her latest film, Open Bethlehem.
The following interview was edited for style and clarity.
MEI: Tell me about the genesis of this film and project, and your inspiration for it?
Saving Iraq’s Cultural Heritage
Ongoing conflict is robbing Iraq of both its future and its past by stripping the country of its tangible cultural heritage.[1] The Islamic State, as part of its strategy, is deliberately seeking to erase all aspects of Iraqi identity which compete with its own dogma. Iraq’s cultural heritage faces additional threats in the form of illicit looting, vandalism, government neglect, and political infighting.
Middle East and North African Countries Unite to Fight Antiquities Looting, the Destruction of Cultural Heritage, and Terrorist Financing
Amman, Jordan – Seventeen countries from the Middle East and North Africa (MENA) and the League of Arab States convened today to launch an aggressive action plan to combat antiquities looting and the illicit trade in cultural heritage.
Iraqis Defy Sectarianism through Urban Planning, Art
While the post-invasion map of Iraq is often conceived as a neatly trisected nation with a Kurdish top end, Sunni middle, and Shiite south, the reality is one of mixed marriages and common humanity.
Although the changes once-mixed and cosmopolitan Iraqi cities have experienced since 2003 are telling (see maps of changes to Baghdad neighborhood demographics since 2003), there are many people and projects that cross the post-invasion sectarian divide.