Despite strong religious and cultural ties and a long shared border, Iran has a somewhat complicated relationship with Afghanistan. Since the Soviet Union’s invasion of Afghanistan some four decades ago, Iran’s attempts to preserve its interests in conflict-ridden Afghanistan have not received much attention from the outside world, but it remains one of the most important neighboring countries for Tehran’s foreign policy.
Confusion writ large: US troop withdrawal from Afghanistan
The uncertainty about the withdrawal timetable has sowed confusion among U.S. partners in Afghanistan and prompted the Taliban to accuse the U.S. of not living up to the terms of their agreement.
Dancing during the pandemic: Despite restrictions, music and dance retain a central role in Iranian society
Since the outbreak of the COVID-19 pandemic, music and dance have become increasingly common in Iran’s hospitals and on its streets. Long disallowed in public after the Islamic revolution of 1979, they have become both a source of support for Iranians during difficult times and a way of resisting the regime.
Mainly at issue for the country is the difficult choice of whether to prioritize saving lives or saving the economy for a Pakistan that can ill afford to ignore either.
Intra-Afghan talks inch closer, but their launch is only the beginning
Frantic efforts are being made to clear the way for intra-Afghan talks, the logical next step forward in the implementation of the February U.S.-Taliban deal.
The U.S.-Iraq Strategic Dialogue that will be launched this week provides an opportunity for the two sides to put their relations, as Iraqi President Dr. Barham Salih said last April, “in the right context.”
The Taliban’s military and diplomatic strategies are intended to work in tandem, one leveraging the other. Each has as its ultimate goal the Taliban’s recovery of an emirate lost in 2001.
As Iran redeploys amid COVID-19, Russia is filling the vacuum in eastern Syria
The impact of COVID-19 on Iran-linked forces in Syria has provided Russia with an opportunity to expand its influence through its proxy forces, particularly in eastern Syria, as Iranian and pro-Iranian forces redeploy elsewhere in the country.
Will COVID-19 inhibit Iran’s ability to suppress protests?
Since 2017, Iran has seen several waves of protests rooted in political, social, and, most importantly, economic grievances. In light of COVID and the post-pandemic fallout, there is every indication that unrest will continue to grow, and even accelerate. Until now, the regime’s coercive apparatus has had both the capacity and the willingness of its members to successfully suppress anti-regime unrest. But has COVID-19 changed this balance? What impact, if any, has the pandemic had on the regime’s security capacity?
Quickly attributing or blaming a country for a cyber incident without technical analysis, proof, and government officials willing to go on record only inflames an already tense situation.
The spread of the virus, unease about a cease-fire, peace talks, and the American withdrawal leave the Afghan people gripped with a heightened sense of uncertainty.
US-Iranian relations remain on track for escalation
Iran is currently facing an incredibly unlucky alignment of pressure sources that are interrelated and will force the regime to engage in risky or experimental behavior, most likely in 2020. The COVID-19 epidemic simply exacerbates the combined challenges of a regime squeezed by an international sanctions network and a restive population reaching a breaking point with economic hardship. A continued acceptance of the status quo is untenable; thus, the regime will likely begin to undertake various initiatives in the coming months, more likely military than diplomatic in nature, that could force the United States to ease the isolation of the country.
Far from his native Tehran in bucolic West Vancouver, Parviz Tanavoli, the 83-year-old “father of modern Iranian sculpture,” contemplates the fate of his homeland. “My heart breaks when I see what is happening in Iran now,” says the renowned artist, who divides his time between a life of relative obscurity on Canada’s Pacific coast, and Tehran, where he is referred to simply as “Master Tanavoli.”
