April 21, 2021
10:00 am - 11:00 am


Zoom Webinar

The Middle East Institute's Arts and Culture Center and The Cultural Services of the French Embassy are pleased to host a conversation with leading Syrian contemporary artists, Bady Dalloul and Nagham Hodaifa. The Paris-based artists will reflect on the past decade of conflict and trauma, its impact and influence on their work and their relationship to their homeland. They will be joined by Lyne Sneige, the Director of the Arts & Culture Center at the Middle East Institute.

Dalloul grew up in France, the son of prominent Syrian artists. His work confronts the notion of what is real and imagined while challenging the process of writing history. Hodaifa, who left Syria in 2005 to pursue her studies, explores the human condition through the representation of the body. Both artists are in the current MEI Art Gallery exhibit In This Moonless Black Night: Syrian Art After the Uprising, featuring leading contemporary Syrian artists chronicling the hope, trauma, and pain of the past decade through their practice. 

The artists will be in conversation with Vanessa Badré, art historian, lawyer, and faculty fellow at American University.

In This Moonless Black Night: runs from Monday, March 8 through Friday, July 16, 2021. Please make a timed appointment to visit the gallery or check out the show online

Featured artists: Azza Abo Rebieh, Hiba Al Ansari, Ammar al-Beik, Nour Asalia, Tammam Azzam, Khaled Barakeh, Bady Dalloul, Oroubah Dieb, Osama Esid, Lara Haddad, Mohamed Hafez, Nagham Hodaifa, Essma Imady, Kevork Mourad. 

Featured Cover Piece: Nightgown (Suit), 2020, Nagham Hodaifa, Courtesy of Artist

Featured Speakers:

Bady Dalloul

Born to Syrian parents in Paris in 1986, Bady Dalloul is a French-Syrian multimedia artist whose work reflects a strong socio-political and historical dimension. His practice both confronts and brings together the imaginary and the real while challenging the process of writing history.

Dalloul graduated from the École Nationale Supérieure des Beaux-Arts de Paris in 2015 with honors from the jury. His work has been exhibited at the MAC/VAL (2017), the Arab World Institute, the Gulbenkian Foundation (2018), the Palais de Tokyo (2020) and IVAM of Valencia (2020). In 2017, he was nominated for the Prix découverte des Amis du Palais de Tokyo, and in 2018 he was awarded the Prix des Amis de lʼIMA. His work is part of the collections of the Arab Museum of Modern Art (Mathaf) Qatar, MAC/VAL, the Kadist Foundation, the Frac Île-de-France, and the Institut du Monde Arabe.

Nagham Hodaifa

Nagham Hodaifa is a Syrian artist whose drawings and paintings address the theme of female temporality transmitted through gifts. Most of her paintings dealing with this subject are of the artist’s height, but are intentionally headless and faceless. 

Born in Syria in 1981, Nagham Hodaifa graduated from the Department of Painting, Faculty of Fine Arts, Damascus University, and received her Ph.D. in contemporary art history from the Paris-Sorbonne University. She has held many exhibitions and performances, sometimes creating multi-disciplinary events by combining painting with music, dance, poetry, and calligraphy.

Lyne Sneige

Lyne Sneige is currently the director of the Arts & Culture Center at the Middle East Institute (MEI) in Washington, D.C. She has over 20 years of experience in international development in the Middle East. Before joining MEI, Sneige was deputy director Lebanon and regional projects manager for Arts and Culture for the Middle East at the British Council operating out of Beirut. She has extensive experience in strategy and planning as well as project management and has many years of experience in the arts and culture scene in Lebanon and throughout the Middle East.

Vanessa Badré, moderator 

Vanessa Badré is a graduate of the prestigious Paris Institute of Political Science (Sciences Po) and a trained attorney, Vanessa Badré has made a second career as an Art historian. Ms. Badré holds an M.A. in Art History from La Sorbonne. Her research currently focused on the relationship between art and law during the XVIe and XVIIe centuries. Before entering the Art world, Ms. Badré worked for more than a decade as a corporate lawyer specializing in Human Resources for the leading French automobile firms Citroen and Peugeot. She also practiced in the Human Resources Department for Colgate-Palmolive in Paris. She has lived in Paris, London, New York, and Washington, DC. 

In Collaboration with:

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