'Disgraced' Exposes the Contradictions of Identity
Unsettling is perhaps the word that best describes playwright Ayad Akhtar’s Disgraced. The intensity of the scenes provoked uncomfortable shuffling in seats, and reduced one audience member to tears. The Pulitzer Prize-winning play, featured by Arena Stage in Washington until May 29, should be commended for its bold attempt to tackle one of the most complex and sensitive issues dominating today’s political discourse: Islam and identity.