Pakistan Will Disappoint Saudi Arabia
This article was first published on Foreign Policy‘s South Asia Channel.
This individual is a guest contributor. MEI is not able to assist with contact requests.
Rebecca Anne Proctor is an independent journalist, editor, author, and broadcaster based in Dubai and Rome, from where she covers the Middle East and North Africa. She is the former editor-in-chief of Harper’s Bazaar Art and Harper’s Bazaar Interiors.
This article was first published on Foreign Policy‘s South Asia Channel.
What Egyptians call the azmit al-iskan—the housing crisis—is exemplified by the 1986 movie, Karakon fi-l-Shari‘a, or Prison in the Street. The film depicts a typical middle class family that, evicted from its condemned home, must resort to living in a horse-drawn caravan because a regular apartment is unaffordable. The “prison” in the title is a reference to the father’s numerous altercations with the police, who deem his attempts to make a home quasi-legal—not illegal, but also not legal.
Saudi Arabia’s intervention in Yemen is not surprising given Riyadh’s past policies and current perspectives on Gulf security. Yemen has always suffered from varying degrees of chaos and civil strife. Even in the best of times, large areas of the country lacked government control, and few if any in the region saw it as a functioning nation state. Whatever Gulf Arab leaders may have said publicly, most have viewed Yemen as a loose collection of autonomous or even independent regions, held together only by the lines drawn on a map.
Given the prominence of calligraphy in the traditional arts of both the Islamic world and China, it is only natural that Islamic calligraphy plays an important cultural role in Chinese Muslim communities. The art form’s survival over the centuries in China, even during prolonged periods of isolation from the rest of the Islamic world, reflects the strength of Chinese Muslims’ religious traditions, as well as the critical function of the written word within these traditions.
In this MEI Policy Paper, Thomas Juneau examines Iran’s role in Yemen, Syria, Iraq, and the Arab-Israeli conflict to explain why Iran is not a “rising regional hegemon” but rather a “mid-sized regional power frustrated at not reaching its ambitions.”
In a significant New York Times op-ed on April 20, Iranian Foreign Minister Mohammad Javad Zarif made a pitch for regional dialogue between Iran and its neighbors.
The following article was published in the April 2015 issue of the Journal of Democracy.
In the 1930s, several groups of Muslim students from China arrived to study at Al-Azhar University in Cairo. They were destined to play an important role in the history of modern Chinese Islam. These 35 Chinese Azharites, all but two from the Sinophone Hui community, helped China to establish lasting links with Egypt and other Muslim countries in the Middle East. They also left a considerable cultural legacy, including translations of crucial texts from both the Islamic and Chinese traditions.
As the urban historian Lewis Mumford pointed out, “When a city has reached the megapolitan stage, it is plainly on the downward path: it needs a terrific exertion of social force to overcome the inertia, to alter the direction of the movement, to resist the immanent processes of disintegration.”[1]
Bashar al-Assad’s regime in Syria did not have a good winter. His forces lost a provincial capital, Idlib, and despite repeated efforts could not even seize northern and eastern suburbs adjoining Damascus. There were also failures in Aleppo and Dara‘a. He had to relieve heads of two of the regime’s four secret police services. The economic situation worsened.
April 23, 2015 – Marvin Weinbaum, director of the Center for Pakistan Studies at The Middle East Institute, explains Pakistan’s decision not to provide military aid for Saudi Arabia’s operation in Yemen, and how Prime Minister Sharif is working to repair relations with Riyadh.
“Then they came for me—and there was no one left to speak for me.” – Martin Niemöller, German anti-Nazi theologian