Originally posted May 2011
There is a growing need in Jordan for universities to establish joint programs with overseas universities in countries such as the United Kingdom and to uphold partnerships with universities in the United States, Europe, and the Gulf states. Public universities are already highly regarded. Private universities are also seeking partnerships or joint programs with foreign institutions.
Jordan today, in spite of the scarcity of its natural resources, is at the forefront of the region’s states in several areas, primary among them are education, economic growth rates, and the qualifications of the Jordanian youth who have always proved their excellence nationally and abroad.
— King Abdullah II[1]
Creative Arab Women is the sixth edition of the MEI Viewpoints series on the State of the Arts in the Middle East. The 14 essays in this collection offer a glimpse into the rich and varied cultural output of Arab women in the region and the diaspora. Partly reminiscences and partly calls to action, they are essays of survival and empowerment that add a deeply personal dimension to the subject of the role of Arab women as cultural producers. MEI is grateful to Dr.
Originally posted May 2010
Throughout history, North African countries (i.e., Morocco, Algeria, and Tunisia) have experienced various forms of migration – internal and external, voluntary and forced, individual and collective, and legal and illegal.
“Wahid, itnen, talagha ya Abu Hussein” (One, two, divorce her Abu Hussein), Al-Faisali supporters sing, as their soccer team plays against Al-Wihdat.[1] Al-Faisali is the club associated with ethnic Jordanians, while Al-Wihdat is the club of the Palestinians.
Several months ago on a Tuesday afternoon, a local girls football team was practicing on a dirt field in Sidi Moumen, a notorious 350,000-person shantytown on the outskirts of Casablanca, Morocco. A crowd of boys had gathered along the fence. One of the boys began making comments. “Look at her touch on the ball,” he mumbled to his friend, “where did she learn to play football?” “My five-year old brother has better control,” shot back the other, slapping his friend’s hand and laughing.
Originally posted May 2010
Originally posted May 2010
Originally posted March 2010
Literature, visual art, and photography not only serve an aesthetic purpose, but often act as mediums through which their creators explore deeply personal experiences and their broader social implications. In this, the fourth volume of MEI’s “The State of the Arts in the Middle East,” Najat Rahman considers the works of the Palestinian artists Emily Jacir and Eman Haram, and W. Scott Chahanovich (with Pauline Pannier) discusses the memoirs of the Moroccan-born writer Abdellah Taïa.
The Middle East Institute is proud to host Moroccan scholar and author Dr. Mohsine El Ahmadi. Dr. El Ahmadi has written extensively on Islamist movements in Morocco and will examine the government’s efforts to fight radical Islamist movements in the wake of the Casablanca bombings of 2003.
Originally posted July 2009
Originally posted May 2009
The late King Husayn of Jordan, charismatic, compelling, idolized, was regarded, in his mature years, as the West’s best friend in the Arab world. A perspective assessment over the length of his reign, and particularly during the first Gulf War, however, reveals a far more complex figure: courageous, often wise and far-sighted, but preoccupied with lineage, haunted by ambition, and often plagued by poor judgment. During the first Gulf crisis, Husayn’s demonization of his resource-poor country’s traditional financiers, the Gulf States and Saudi Arabia, cost Jordan dearly.