Research & Commentary Results

Wadi AlFann (‘Valley of the Arts’) is a new global cultural destination in Saudi Arabia, where monumental contemporary artworks are being commissioned for AlUla’s majestic desert landscape.  

Curator Iwona Blazwick and participating Saudi artist Manal Al Dowayan speak with MEI’s Senior Vice President Kate Seelye about Wadi Al Fann’s permanent art commissions and the impact of the Kingdom’s investment in the arts as part of Saudi Vision 2030 on local communities and the international art scene.

المزيد من الحلقات

Composing this bricolage of most frequented places is to identify with the environment. Each of the works in this exhibition strives to enliven such connections by looking anew and afresh. Whether considering the lives lived in the temporal or spatial shadows cast by unrest, migration, and industry, or taking a long view of history or an attentive approach to an immediate setting, new relations are found.

Lyne Sneige, Director of the Arts & Culture Program at the Middle East Institute, speaks with artists Moza Al Matrooshi and Christian Sleiman about their works that are featured in MEI’s current exhibition, Perceptible Rhythms/Alternative Temporalities. The conversation provides greater detail on the relationship between each artist’s works and the themes of food and sustainability.

Art Dubai is so much more than an art fair. In this, its most ambitious iteration and 16th year, it promises to be both a cultural emporium and a litmus test for the global economy.

MEI’s Arts and Culture Center joins DesignEast at Alserkal Avenue in Dubai

DesignEast is a new platform launching in Dubai during Alserkal Art Week from 26 February to 5 March, 2023 focused on providing opportunities for emerging designers from the Middle East, South East Asia and China. MEI’s Arts and Culture Center director Lyne Sneige speaks to founder and creative director Rue Kotharie about their opening show ‘(Un)common Threads’ and two of the participating artists Ghizlane Sahli (Morocco) and Nour Hage (UAE/UK).

In partnership with @alserkalavenue

When acclaimed Saudi artist Abdulnasser Gharem opened his first solo show in New York City last week, it closed the circle on a story that began more than two decades ago on Sept. 11, 2001, and the wars and chaos that followed. The 49-year-old Gharem, a seminal figure in and pioneer of Saudi Arabia’s contemporary art scene, hopes his exhibition Hospitable Thoughts, at the Marc Straus Gallery through Oct. 16, will spark a “new cultural dialogue.”

MEI Arts and Culture Center Director Lyne Sneige speaks with photographers Eman Ali and Samar Hazboun, who are featured in MEI’s latest gallery exhibition “More Than Your Eyes Can See:  Contemporary Photography from the Arab World” – curated by Laila Abdul-Hadi Jadallah and in partnership with Tribe Magazine.

When architect Mustafa Mofaq first started working on heritage restoration at Erbil’s citadel last year, it was with a great sense of personal connection. “My great-grandfather had a house here,” explains the 27-year-old, who is employed by an EU-UNESCO partnership aimed at supporting livelihoods through cultural heritage development in Iraq and Jordan.

In a room at the old Mosul Museum, a young Moslawi singer closes his eyes in a moment of rapture. Singing next to the museum’s modernist 1974 incarnation still being restored after ISIS’s pillage of it treasures, his voice lifts the hearts of listeners.

Afra Aldhaheri and Asma Belhamar, two featured artists in the MEI Art Gallery’s latest exhibition, Between the Sky and the Earth: Contemporary Art from the UAE, join MEI’s Lyne Sneige to discuss the inspirations and artistic processes behind their pieces in the show.

Why have authors revisited it over the decades through literary works, and what makes it appealing to international readers?

Afghan filmmaker Sahraa Karimi has spent decades documenting the plight of Afghan women. But when the Taliban returned with a vengeance following their takeover of Kabul on Aug. 15 of this year, she turned the camera on herself.

When Abdulrazak Gurnah was awarded the Nobel Prize in Literature in October, he and his novels came under the international spotlight. The award committee praised his “uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents.” But Gurnah is not the only son of Zanzibar whose art has been shaped by the memories of migration, and his recent recognition is an occasion to highlight and reflect on creative work in different media by individuals of similar backgrounds who have also been shaped by the trauma of forced departure.

Jason Pack on the 2021 Oasis Backgammon Championship, the first major international backgammon tournament to be hosted in the Arab World in recent memory, and how it reflects broader changes in the Middle East.

Artists Helen Zughaib and John Halaka join MEI’s Lyne Sneige in conversation on the MEI Art Gallery’s current exhibition, “Converging Lines: Tracing the Artistic Lineage of the Arab Diaspora in the U.S.” They discuss the exhibition’s themes of exile, memory formation, changing identities, and the state of in-betweenness that often accompanies migration.