Research & Commentary Results

Singer Kamilya Jubran, founding member of the iconic Palestinian band Sabreen, once famously sang, “We’ve tried resistance, we’ve tried confrontation, we’ve tried intifada, we’ve tried peace. What else is left to us?” The answer of course, that hung in the air of her breathtaking vocals, was “to sing.”

The rapidly growing state-supported arts infrastructure in Saudi Arabia tends to overshadow the lesser-known history of independent artist-led initiatives. The pioneering modernist Mohammed Alsaleem, for example, is known for establishing Dar Al Funoon Al Sa’udiyyah (The Saudi Art House) in Riyadh in 1979, the first space where artists could gather, work, mentor each other, and stage exhibitions at a time when there were no art schools or galleries. The Kingdom has gone through various stages in its cultural development from the 1960’s oil boom, a time of artistic productivity and government scholarships to study art abroad, to the tumultuous late 1970s of Islamic militancy and religious conservatism until the 2000s. “The 1960s was a time when art flourished in the Kingdom. In Riyadh, exhibitions by modernist painters were held in football clubs in order to engage the public,” says Raneem Farsi, an expert in Saudi Arabian contemporary art, of a time that has influenced her curatorial narrative. Along with Susan Davidson, former senior curator at the Guggenheim Museum, she is co-curator of the exhibition Light Upon Light: Light Art since the 1960s, which runs until June 12.

In 2020, the 14th edition of Art Dubai went completely online due to the coronavirus outbreak, with programming focused on performance art and healing curated by Marina Fokidis, a live broadcast of the Global Art Forum, and a digital catalogue. “We didn’t have a model to follow,” Pablo del Val, Art Dubai’s Artistic Director explained. “The online viewing rooms came later and the art industry has shifted to make these platforms meaningful. The future was unknown so we worked blindly.”

Only two days after an extremist attack that saw 14 missiles rain down on Erbil, and in the midst of a new coronavirus surge and lockdown, the Chaldean Catholic Archbishop of Mosul, Najeeb Michaeel, was optimistic about the upcoming visit of Pope Francis.

“Everyone is very happy about this historic event,” he said of Iraq’s inaugural papal visit, from his home in Ankawa, Erbil’s Christian enclave, which has given refuge to thousands of those displaced by ISIS. A previously planned visit in 2000 by Pope John Paul II to Ur, birthplace of the Prophet Abraham according to the Torah, was foiled by protracted negotiations with the government of Saddam Hussein. In 2020, Pope Francis had to cancel a trip due to security and pandemic concerns.

Artists Asim Ahmed, Reem Aljeally, and Jamila Rizgalla join guest host Lyne Sneige to discuss the challenges facing artists across the region during the global pandemic. Their works are featured in MEI’s first ever open call exhibition, titled “Art in Isolation: Creativity in the Time of Covid-19,” which is on display at the MEI Art Gallery until January 29. The pieces can also be viewed and are for sale online.

Drawing on ideas and styles passed from vibrant Middle East trading cities into the West, the architectural heritage of Europe — and America — owes an important debt to the Arab and Islamic world.

Patrick Baz, Kristine Khouri, and Emilie Madi join guest host Lyne Sneige to discuss the impact of the August 4 Beirut Port explosion on Lebanon’s artistic community; how museums and galleries are working to preserve cultural heritage; and how photojournalists recorded this tragic moment in Lebanon’s history. They are among the contributors and co-sponsors of “Lebanon Then and Now: Photography from 2006 to 2020,” an interactive virtual exhibit hosted by the MEI Art Gallery through September 30.

Love for Fairuz has proven that Iranians, despite their intense political differences, can have a common interest. After the deadly explosion in Beirut — which killed more than 190 people and displaced about 300,000 — the first thing Iranians thought of to express their sympathy was Fairuz’s famous song “Li Beirut,” which became a trending hashtag on Persian Twitter.

“Between Heaven and Earth,” filmmaker Najwa Najjar’s latest offering about love and divorce under occupation, is part road movie, part mystery, and part deep dive into the Palestinian psyche. To call its whole ethos a wild ride might just be an understatement.

Beirut-based art and documentary photographers Chantale Fahmi, Vicky Mokbel, and Marwan Tahtah join guest host Kate Seelye to discuss their efforts to capture the aftermath of Lebanon’s long civil war as well as the street protests that erupted on October 17, 2019 in response to the corruption and political mismanagement that triggered Lebanon’s financial collapse. Their’s are among works on display in “Lebanon Then and Now: Photography from 2006 to 2020,” an interactive virtual exhibit hosted by the MEI Art Gallery now through September 25. Visit the show now at www.mei.edu/art-gallery

One Square Meter Berber is a Dutch-Moroccan project with a dual mission: to protect the dying craft of traditional Berber carpet weaving and to fight the exploitation of the skilled craftswomen who keep the iconic industry from coming apart at the seams.https://www.onesquaremeterberber.com

Far from his native Tehran in bucolic West Vancouver, Parviz Tanavoli, the 83-year-old “father of modern Iranian sculpture,” contemplates the fate of his homeland. “My heart breaks when I see what is happening in Iran now,” says the renowned artist, who divides his time between a life of relative obscurity on Canada’s Pacific coast, and Tehran, where he is referred to simply as “Master Tanavoli.”

Unfortunately, many distinguished Arab writers are unknown to the majority of Iranian readers and their works are not available in Persian. Arab literature has largely been neglected in the Iranian literary translation market.

Basma El Husseiny (Action for Hope) and Samar El Yassir (Anera) join guest host Lyne Sneige to discuss the impact of the COVID-19 pandemic on refugee communities and the NGOs that work with them.

The spiritual cousin to the Shabandar Café — Baghdad’s literary heart that survived being bombed by extremists in 2007 — Mosul’s Book Forum is both an intellectual refuge and a laboratory for discussion and cultural expression.