This individual is a guest contributor. MEI is not able to assist with contact requests.
Jean-Pierre Cassarino holds a professorship at the Robert Schuman Center for Advanced Studies (RSCAS/European University Institute, Florence) where he directs the Return migration and Development Platform (http://rsc.eui.eu/RDP/). He is also research associate at the Tunis-based Institut de Recherche sur le Maghreb Contemporain (IRMC). Since the mid-1990s, he has published extensively on international migration, particularly on return migration and has carried out numerous field surveys investigating returnees’ manifold patterns of reintegration. Selected publications include: (ed.) Unbalanced Reciprocities: Cooperation on Readmission in the Euro-Mediterranean Area, The Middle East Institute Press, Washington, 2010; (ed.) “Conditions of Modern Return Migrants”, International Journal on Multicultural Societies, Vol. 10, Issue 2, UNESCO, Paris, 2008; (ed.) Return Migrants to the Maghreb Countries: Reintegration and development challenges, RSCAS, European University Institute, Florence, 2008; Tunisian New Entrepreneurs and their Past Experiences of Migration in Europe: Networks, Resource Mobilisation, and Hidden Disaffection. Ashgate Publishers, Aldershot, 2000. Email: [email protected]
The Middle East Institute is proud to host Rochelle Davis, professor of Anthropology at the Center for Contemporary Arab Studies in the School of Foreign Service at Georgetown University, to discuss US military conceptions of culture and the war in Iraq.
US Interest Wanes in the Mission that Remains in Iraq
This Commentary first appeared as an op-ed in The National, July 25, 2010.
After the March 2003 invasion of Iraq by United States and coalition forces, a short but sharp war, and the declaration of “Mission Accomplished” aboard an American aircraft carrier, Iran felt isolated and encircled on all sides by US might. Not so today.
Tehran has closely observed US travails in Iraq over the years, and watched with satisfaction as the US began withdrawing its forces in anticipation of a full withdrawal by the end of 2011.
Higher Education and the Middle East: Serving the Knowledge-based Economy
This is the first of three volumes examining the internationalization of higher education and the Middle East. The 12 essays included in this volume explore some of the changes that are taking place and the challenges that lie ahead as Middle Eastern countries seek to build sustainable higher education systems and strengthen their economies. Within the dynamic global higher education landscape, is the Middle East a stagnant backwater or a center of creative initiative? What are, and should be the roles of foreign partners and providers?
This Commentary first appeared as an op-ed in McClatchy News, July 6, 2010.
The misuse and abuse of language is yet another obstacle to obtaining peace in the Middle East. In recent weeks the media, government officials and commentators have so garbled the use of the words “blockade” and “embargo” to describe events in Gaza that understanding what is occurring, the legal implications, and developing a reasonable policy are almost impossible.
From the Director’s Chair: The Making of the Documentary Film Veiled Voices
Last year, I completed an hour-long documentary, Veiled Voices, profiling the role that women can play as religious leaders in the Middle East. This essay briefly discusses my discoveries over the four years working on the project and the decisions I made regarding how to responsibly and visually represent these women on film.
In February 2010, Stockholm, Sweden hosted the Persian Hip Hop Festival: Voices of Change. Persian rappers came from around the world to call for changes in Iran through their rap music. Prior to her performance, one of Iran’s female rappers, Ghogha (Rebel), said to the audience:
I come from a place where music is a crime. New ideas are crimes. They execute young people for having new ideas. We have come together here to remember the children of Iran.[1]
Introduction to The State of the Arts in the Middle East: Volume V
This edition of MEI Viewpoints features essays that shed light on the relationship between artistic production and changing societal conditions and norms. Clayton Keir discusses “rap” music in Iran – its integration of Western and Persian cultural influences, politics, and popularity. Brigid Maher reflects on the making of Veiled Voices, her award-winning documentary film that profiles three female Muslim religious leaders from Egypt, Lebanon, and Syria.
Introduction to The State of the Arts in the Middle East: Volume VI: Creative Arab Women
Creative Arab Women is the sixth edition of the MEI Viewpoints series on the State of the Arts in the Middle East. The 14 essays in this collection offer a glimpse into the rich and varied cultural output of Arab women in the region and the diaspora. Partly reminiscences and partly calls to action, they are essays of survival and empowerment that add a deeply personal dimension to the subject of the role of Arab women as cultural producers. MEI is grateful to Dr.
The Middle East Institute is proud to host Thomas W. Donovan, an expert in Iraqi business law, specializing in international investment. Drawing upon his background as a corporate attorney and managing partner of the Iraq Law Alliance, PLLC, Mr. Donovan will discuss the particular nuances of doing business in post-war Iraq and how the 2009 Status of Forces Agreement may change the way in which international investors interact with their Iraqi partners. Mr.
