Inside the Khaleeji Art Museum’s Architecture of Memory, which showcases the work of Dana Al Rashid.
The Middle East and North Africa (MENA), for a variety of reasons, are unrivaled in their need for bold, creative thinking about their future. But that is precisely why creative thinking about the future of the region — why strategic foresight — is essential. Produced in conjunction with MEI’s Strategic Foresight Initiative, Thinking MENA Futures aims to map out some of the possible futures for the region, as envisioned by thoughtful innovators working today to realize them.
For the second time in the past two decades, a large number of Afghans find themselves escaping chaos. Twenty years ago, it was the American invasion of Afghanistan after the terrorist attacks of 9/11 that caused a large wave of refugees. More recently, the hasty American withdrawal from the country and the ensuing Taliban takeover have created another wave of refugees.
بينما يشاهد العالم استيلاء طالبان على أفغانستان وما أعقب ذلك من أحداث متلاحقة، يبدو الأمر وكأنه “ديجافو” أو تكرار لمعاناة أبناء هذه الأمة. ومع عودة طالبان إلى وادي باميان، وهو أحد مواقع التراث العالمي لليونسكو الذي أجاز فيه الملا عمر تدمير تمثالين من القرن السادس لبوذا قبل 20 عامًا، ندرك أننا شاهدنا هذا الفيلم من قبل ونعرف كيف تكون نهايته.
The images of desperate Afghan citizens trying to leave their country, beyond highlighting a massive human tragedy, may become a symbol of the so-called war on terror. Many of those Afghans already understand the feeling of abandoning their homes, because their families experienced it. They know what happens when foreign armies withdraw from their country and the tragedies that can ensue. The difference this time, however, was the deadline — only a few weeks.
Unanticipated swiftness of victory can be potentially befuddling, even for the victor. After the Taliban’s dramatic and largely bloodless capture of power, their leadership has struggled to finalize the structure of a government that will rule the country. The group, however, has attempted to use the interregnum period to indulge in a rebranding exercise. Statements issued by its spokespersons in Kabul as well as in Doha indicate that the group does not wish to take revenge on the “collaborators” of the fallen government. Instead, it wishes to form an “inclusive” government, which although it will be governed by sharia, may still have role for former government servants and women. However, this could only be a feeble attempt at building a narrative, which the group will find hard to sustain, even in the short term.
As the world watches the Taliban takeover of Afghanistan and its aftermath, it’s like déjà vu all over again for the nation’s long-suffering peoples. With the Taliban back in the Bamiyan Valley, the UNESCO World Heritage site where Mullah Omar sanctioned the destruction of the 6th century Buddhas 20 years ago, we’ve seen this movie before and we know how it ends.
That the Taliban ended up taking over Afghanistan was not surprising, given the details of the agreement between the U.S. administration and the group’s leadership that have been known for many months. What was surprising for the international community, however, was the speed and manner of their takeover. The Taliban offensive and its consequences came as a particular shock to the institutions of the European Union (EU) and the member states that took part in the International Security Assistance Force (ISAF) mission and various aid programs in the country. When it comes to assessing the consequences of the Taliban’s takeover, there is no doubt that, first and foremost, it is the Afghan people that are most badly affected. Among the members of the international community, it is the Americans that have suffered the greatest reputational and financial losses so far, but from here on out the EU may well be the party that will face the greatest consequences.
اقرأ تقرير MEI الأسبوعي الذي يتضمن تحليلات الخبراء للتطورات الإقليمية الرئيسية للأسبوع المقبل.
As the U.S. withdrew troops from Afghanistan, the Taliban pushed through large portions of the country, capturing strategic regional centers and ultimately securing the capital city of Kabul. In its pursuit, the Taliban faced relatively little resistance as it seized government strongholds. Rather than widespread fighting, reports indicate that Taliban fighters often cut deals with soldiers, offering payoffs or demanding surrenders. At the same time and as of the time of writing, the Taliban announced a general amnesty, encouraging former government officials and women to support the group.
Whether and how long this period of limited resistance and amnesty might last are unclear. What are the prospects for future political violence both within and outside the country?
اقرأ تقرير MEI الأسبوعي الذي يتضمن تحليلات الخبراء للتطورات الإقليمية الرئيسية للأسبوع المقبل.
Weeks before the official U.S. military withdrawal, Afghanistan is unraveling rapidly as the Taliban continue their swift military advance. They now control more than two-thirds of the country and half of the provincial capitals. With the government’s hold on Kabul in doubt, the Biden administration has dispatched troops to evacuate U.S. citizens from the country. We asked experts and scholars from across MEI to weigh in with their thoughts on the situation and what it means for the country, the wider region, and key international players.
اقرأ تقرير MEI الأسبوعي الذي يتضمن تحليلات الخبراء للتطورات الإقليمية الرئيسية للأسبوع المقبل.
Masameer County, the Netflix animated television series taking Saudi Arabia by storm, reveals how the country’s creative class, over the last two decades, has posed awareness-raising questions while reevaluating the assumptions and terms used to discuss contentious social issues. This is not the Saudi Arabia of clerics, oil, and the royal family, but the one experienced by everyday people.
The digital space has not only enabled claims to online avatars or alter-egos, it has also ushered in new forms of digital ownership. The explosion of the online marketplace is changing the ways in which art is created, perceived, and owned. If post-internet art propelled artworks into immateriality, Cryptoart, which uses blockchain technology, is creating a new generation of art collectors. Sales of Cryptoart have leaped from over $416,000 in June 2020 to $616 million in the past year, based on data from cryptoart.io.