After the US-Israel-Iran war — and the strikes that followed the cease-fire — the Gulf states find themselves dangerously exposed. Host Alistair Taylor is joined by MEI Associate Fellow Gregory Gause to discuss the war’s impact on the Gulf, their partnership with the United States, and whether the turmoil of recent months will push Gulf leaders to reassess their alliances and international engagement.
Saudi Arabia has stepped up its efforts to unify and restructure Yemen’s anti-Houthi forces after the rapid expansion and sudden implosion of the United Arab Emirates-backed secessionist Southern Transitional Council following Abu Dhabi’s military withdrawal from the country.
Introduction to The State of the Arts in the Middle East: Volume VI: Creative Arab Women
Creative Arab Women is the sixth edition of the MEI Viewpoints series on the State of the Arts in the Middle East. The 14 essays in this collection offer a glimpse into the rich and varied cultural output of Arab women in the region and the diaspora. Partly reminiscences and partly calls to action, they are essays of survival and empowerment that add a deeply personal dimension to the subject of the role of Arab women as cultural producers. MEI is grateful to Dr.
Liberal Enclaves: A Royal Attempt to Bypass Clerical Power
Within the first months of ‘Abdullah’s term as King, the Saudi government pursued a number of policies to improve the Kingdom’s economic profile. Saudi Arabia became a member of the World Trade Organization (WTO) and the limits were raised on foreign stakes in sectors such as banking, telecommunications services, wholesale, retail, and franchising. These reforms were intended to answer the economic priorities of diversifying from dependence on oil revenues, finding jobs for young Saudis, and opening up foreign investment.
Even Saudi film production has revived recently, following the move of Saudi Television empires such as Rotana and ART to cinematic production. This comes after more than two decades of suppression by conservative Islamist groups who prohibited film screenings to Saudi citizens. In 2005, the Kingdom saw the opening of the first movie theatre in Riyadh, followed by the release of a couple of Saudi films with Saudi actors. The first Saudi production was Zelal Assamt (2006), followed by the film Keif al Hal.
It was in the summer of 1979 that Islam in Saudi Arabia became all about women. At the urging of ‘Abd al-‘Aziz bin Baz, then chair of the Department of Religious Guidance, Legal Rulings, and Propagation of the Faith, Interior Minister Prince Nayf sent a letter to government offices asking for cooperation in curbing practices offensive to Islamic principles. At the top of the list of condemnable behaviors were unsuitably dressed foreign women shopping or eating out in public.
