Sharifah Alhinai

Home to around 1,000 forts, castles, and watchtowers, Oman has long used its historical structures to showcase the country’s rich history. Now, as part of an effort to promote cultural tourism, the sultanate is looking to develop more of them with a focus on the arts and cultural activities, giving its centuries-old heritage sites a new lease on life.

Why have authors revisited it over the decades through literary works, and what makes it appealing to international readers?

When Abdulrazak Gurnah was awarded the Nobel Prize in Literature in October, he and his novels came under the international spotlight. The award committee praised his “uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents.” But Gurnah is not the only son of Zanzibar whose art has been shaped by the memories of migration, and his recent recognition is an occasion to highlight and reflect on creative work in different media by individuals of similar backgrounds who have also been shaped by the trauma of forced departure.

Inside the Khaleeji Art Museum’s Architecture of Memory, which showcases the work of Dana Al Rashid.